Monday January 7, 2008
Reading: Syllabus; Shakespeare, A Midsummer Night's Dream (Acts I & II)
Writing: Making Associations
Wednesday January 9, 2008
Reading: Shakespeare, A Midsummer Night's Dream (Acts III, IV, V); Reader chapter 12 (The Active Reading Process) 98-102; Reader Chapter 14 (Analyzing Drama) 105-111.
Writing: In-Class Diagnostic; post question to Noteboard; eee Information Literacy Quiz
Friday January 11, 2008
Reading: Shakespeare, A Midsummer Night's Dream; Essay #4 prompt; Reader chapters 11-14 (genre, the active reading process, textual analysis, analyzing drama)
Writing: Study Questions (A Midsummer Night's Dream); Pre-writing Grid and post your "Staging a Keyword" Outline to Blog
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Humanities Core: Winter 2008
Humanities Core: Winter 2008
Welcome to The Making. This is the webslog (website + blog) for Discussion Section 29011, which meets MWF 1:00-1:50 in HH 224. My name is Erin Trapp and I am your discussion instructor. Please refer to the blog for information and assignments, and always feel free to post comments. You will occasionally be asked to post responses here. My office hours are in HIB 192, Wednesday 12-1 and Friday 10-11, and by appointment.
Major Due Dates
- FRI jan 18 sofar Essay #4 (w2)
- WED jan 23 WD Essay #4 (w3)
- MON jan 28 FD Essay #4 (w4)
- MON feb 4 PreWrite Essay #5 (w5)
- FRI feb 8 MIDTERM (w5)
- MON feb 11 Ideas Draft (w6)
- MON feb 11 DISC task #3 (w6)
- FRI feb 15 WD essay #5 (w6)
- MON feb 25 Final Essay #5 (w8)
- WED feb 27 Discovery Task #3 (w8)
- FRI feb 29 Pre-Writing Essay #6 (w8)
- MON mar 3 Ideas Draft Essay #6 (w9)
- FRI mar 7 WD Essay #6 (w9)
- MON mar 10 SQ Jane Jacobs (w 10)
- FRI mar 14 FD Essay #6 (w 10)
- WED mar 19 1:30-3:30 FINAL EXAM
Schedule of Genre Presents
- w4 (2/1) Painting: Sarah, Shannan, Rani, Jill
- w5 (2/8) Images: Alex W, Colby, Christina, Jean
- w6 (2/15) Primary Sources: Kyle, Karen, Evan
- w7 (2/22) Film: Dennis, Alex R, Keith
- w8 (3/1) Music: Dana, Elvin, Asad
- w9 (3/8) Design: Sacha, Amanda, Ryan
Labels
- 203 words (1)
- A Midsummer Night's Dream (5)
- alberti (4)
- art (11)
- assignments (11)
- Barthes (1)
- bauhaus (1)
- bosch (1)
- brecht (2)
- britannica (1)
- city (10)
- city limits (4)
- conferences (1)
- cyberculture (2)
- design (18)
- diversity (3)
- DP (2)
- essay five (5)
- essay four (3)
- essay six (2)
- exam (2)
- germany (5)
- Gershwin (6)
- gerswin (1)
- global (1)
- graffiti (2)
- grosz (1)
- heartfield (1)
- high school (1)
- hoch (1)
- interpretation (3)
- jane jacobs (18)
- klee (1)
- lady macbeth (1)
- leskov (1)
- manifesto (1)
- midterm (1)
- music (5)
- painting (6)
- peer review (1)
- Porgy and Bess (7)
- realism (3)
- schwitters (1)
- shakespeare (4)
- shostakovich (2)
- soviet (4)
- suburban (4)
- theater (1)
- thesis statements (2)
- van eyck (1)
- week eight (1)
- week five (1)
- week four (1)
- week nine (1)
- week one (1)
- week seven (1)
- week six (1)
- week ten (1)
- week three (1)
- week two (1)
- writing (2)
Links
- Celebrating Irvine
- The Irvine Company
- Music Terms
- Sample Program Notes (Shostakovich)
- Hall Johnson Review of Porgy and Bess
- Review of Porgy and Bess by James Standifer
- Gershwin Jukebox (Moeller)
- Cuban Overture Program Notes
- Cuban Overture Performance
- Opera for Beginners (includes link to list of opera terms)
- hyperlink text of Porgy by DuBose Heyward (edited, with commentary by Kendra Hamilton)
- Barthes, Death of Author
- Foucault, Death of Author
- utube "Summertime" versions
- MLA (Diana Hacker)
- MLA (The Write Source)
- MLA Guide (Purdue)
- "Too Scary for Stalin" (review of LMM)
- United States Holocaust Memorial Museum
- Hypermedia Berlin
- Brittanica Online
- Moeller HIST122B Hitler and German Society (login/pass moeller)
- German Historical Museum LeMO
- Calvin College Nazi Image Collection
- Moeller Website
- German-English Translation
- Grove Art Online (UCI access)
- "From Buses to Blogs: A pathological Individualism is Poisoning Public Life" by Madeline Bunting
- Bauhaus Museum of Design Berlin
- MOMA Dada Exhibit 2006
- International Dada Archive
- German History in Documents and Images
- Theater Notes Blog
- Business Theater (Brecht and epic theater)
- Shakespeare I've Seen (reviews of various stagings)
- The Onion on staging Shakespeare
- Thinking with Shakespeare (links to jstor articles)
- Online works of Shakespeare (search for a term)
- Pyramus and Thisby, performed by The Beatles
- Royal Shakespeare Company, production of A Midsummer Night's Dream
- The Oxford English Dictionary
- UCI Libraries Website
- eee
- Discussion Section Website
- Humanities Core Student Site
Reading
- Jane Jacobs, The Death and Life of Great American Cities
- Gershwin, Porgy and Bess
- Shostakovich, Lady Macbeth of Mtsensk
- HCC Reader 85-133 (German docs II)
- HCC Reader 35-84 (German documents)
- Albierti, On Painting, preface, chapters 2 & 3
- Shakespeare, A Midsummer Night's Dream
- Reader, chapter 11 "Genre"
- Reader, chapter 14 "Analyzing Drama"
- Reader, chapter 13 "Textual Analysis"
- Reader, chapter 12 "The Active Reading Process"
Meanings
aesthetic (source: Online Etymology Dictionary)
1798, from Ger. ästhetisch or Fr. esthétique, both from Gk. aisthetikos "sensitive," from aisthanesthai "to perceive, to feel," from PIE *awis-dh-yo-, from base *au- "to perceive." Popularized in Eng. by translation of Immanuel Kant, and used originally in the classically correct sense "the science which treats of the conditions of sensuous perception." Kant had tried to correct the term after Baumgarten had taken it in Ger. to mean "criticism of taste" (1750s), but Baumgarten's sense attained popularity in Eng. c.1830s (despite scholarly resistance) and removed the word from any philosophical base. Walter Pater used it (1868) to describe the late 19c. movement that advocated "art for art's sake," which further blurred the sense. Aesthete first recorded 1881.
1798, from Ger. ästhetisch or Fr. esthétique, both from Gk. aisthetikos "sensitive," from aisthanesthai "to perceive, to feel," from PIE *awis-dh-yo-, from base *au- "to perceive." Popularized in Eng. by translation of Immanuel Kant, and used originally in the classically correct sense "the science which treats of the conditions of sensuous perception." Kant had tried to correct the term after Baumgarten had taken it in Ger. to mean "criticism of taste" (1750s), but Baumgarten's sense attained popularity in Eng. c.1830s (despite scholarly resistance) and removed the word from any philosophical base. Walter Pater used it (1868) to describe the late 19c. movement that advocated "art for art's sake," which further blurred the sense. Aesthete first recorded 1881.
Blog Archive
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2008
(68)
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January
(21)
- Interpretation II
- Filling in German Details
- The Art Scab
- mAnifestoRT?
- Assignments Week Four
- melodrama?
- Beyond the Five Paragraph Essay
- Assignments Week Three
- Alberti I
- Alberti II
- Alberti III
- Celibate dilletante talks about Painting
- Interpretation I
- Visual Theses
- Analyzing Drama
- Making Theses
- Ideas-ing for Essay #4
- Week Two: Assignments
- Staging A Keyword
- Fancy Question
- Week One: Assignments
-
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January
(21)
About Me
- Erin Trapp
- the tile square is one of the few concrete reminders that the blog began in LAlandia.
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